{"id":3716,"date":"2018-05-23T19:52:04","date_gmt":"2018-05-23T23:52:04","guid":{"rendered":"https:\/\/storynations.utoronto.ca\/?p=3716"},"modified":"2020-07-14T15:15:47","modified_gmt":"2020-07-14T19:15:47","slug":"beadwork","status":"publish","type":"post","link":"https:\/\/storynations.utoronto.ca\/index.php\/beadwork\/","title":{"rendered":"Beadwork"},"content":{"rendered":"
\"\"
Elizabeth (Bella) Johnston doing beadwork, ca. 1910. Courtesy of Minnesota Historical Society.<\/figcaption><\/figure>\n

Beadwork<\/h1>\n

Widely recognized for the beauty and skill of their creations, Anishinaabe and other Indigenous artists continue the work of their ancestors, adapting beadwork to a new range of materials. Award-winning Metis artist Christi Belcourt is at the forefront of the beadwork resurgence. She founded Walking with our Sisters, a collective art installation that commemorates missing and murdered Indigenous women, through the display of beaded moccasin vamps (tops) created by more than 1300 artists.<\/p>\n","protected":false},"excerpt":{"rendered":"

Beadwork Widely recognized for the beauty and skill of their creations, Anishinaabe and other Indigenous artists continue the work of their ancestors, adapting beadwork to a new range of materials. Award-winning Metis artist Christi Belcourt is at the forefront of the beadwork resurgence. She founded Walking with our Sisters, a collective art installation that commemorates […]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[2],"tags":[],"class_list":["post-3716","post","type-post","status-publish","format-standard","category-articles","entry"],"yoast_head":"\nBeadwork | Kiinawin Kawindomowin \u2014 Story Nations<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/storynations.preview.artsci.utoronto.ca\/index.php\/beadwork\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Beadwork | Kiinawin Kawindomowin \u2014 Story Nations\" \/>\n<meta property=\"og:description\" content=\"Beadwork Widely recognized for the beauty and skill of their creations, Anishinaabe and other Indigenous artists continue the work of their ancestors, adapting beadwork to a new range of materials. Award-winning Metis artist Christi Belcourt is at the forefront of the beadwork resurgence. 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